Before any work could be done on the interiors of Wesley Hall, the structure of the building was addressed. The first job was to rectify some of the serious movement in the building and the bowing of the windows which had occurred when the original steel lintels rusted and expanded behind the brickwork. To fix this, each lintel was replaced with every brick removed, numbered and then rebuilt in exactly the same place as they were originally.

Extensive building work to replace the rusted lintels above the windows


In several locations around Wesley Hall, significant amounts of plant life were growing through the walls. It was essential that this was resolved straight away due to the significant structural damage it causes in a short space of time. Once the plant life was removed the whole building had to be repointed to store-up the structure, help prevent damp, and fill the gaps where organic matter may have take root again.


Much of Wesley Hall's 1901 guttering was badly damaged and needed replacing. Incredibly, the original design of cast iron guttering was found still to be available from J & JW Longbottom based in Holmfirth, West Yorkshire. This meant that broken and missing sections could be replaced like for like using historically accurate materials.

Disabled Access

One of the biggest structural changes in Wesley Hall was the installation of disabled access at the side of the building. In order to make it look as seamless as possible a window was removed and a door put in its place.This meant the original lintel and surrounding stonework fitted around the door perfectly, making it look like it had always been there.

Restoration of Masonry

There was lots of damage to the decorative masonry at the front and right-hand side of the building. Despite looking like stone, when the masonry was assessed it was discovered that it was in fact made of a type of tough porcelain. This material was cast rather than carved and included the names of financial donors from when the Hall was originally built. Unfortunately, it was not possible to replace the worst affected pieces with the same material so instead samples were taken to a gritstone quarry and matched with actual stone. These were cut by Mark Eaton, a stonemason from Birchover, a small village in Derbyshire.